Check out my interpretation and analysis (in PDF) of Spoon’s “Out Go The Lights” from their latest (amazing) album, Transference. This is arranged for one acoustic guitar in standard tuning. Download the file here.
As promised, here’s the show to check out! Let’s keep expectations in check here, as this is recorded using the Voice Memo app on my iPhone 3G[S], but DAMN not bad. I am just glad to have a memento of The Dodos side by side playing with what must have been 30 people in the Magik Magik Orchestra.
Please email me info@ill-legible.com if you would like a zip file of the tracks. Enjoy!
I just saw the The Dodos play at the Palace of Fine Arts in San Francisco as part of the inauguration of the always epic 2010 Noise Pop Festival. This show was mind blowing for all the usual reasons to see them, but also because they were backed up by Magik Magik Orchestra, a 30 person classical music assault vehicle. I was able to bootleg the show on my iPhone, but since we were in the front row right in front of a monitor it actually came out pretty decent!
I will post it after I process the sound a lil bit, so come on back or sign up for email subscription so you know when it’s up!
If you don’t have “Emotionalism” or “I and Love and You” yet, you are missing two of the best albums of the last few years. Great harmonies with a punk attitude ascribed to folk. This is a great, easy tune to learn and you can add as much detail to it as you like with your own riffs or use the ones I have offered here.
*Because I am capoed on the 4th fret, we are actually playing in the Key of B major. Let’s talk about it as if it is in the key of G, since that is the notation I used.*
Lowercase roman numerals denote minor, uppercase major:
Intervals I ii iii IV V vi vii*
Notes G A B C D E F#
Chords G Am Bm C D Em F#*
This song is largely diving back and forth between the I and IV chords, G and C. The Avett Brothers know this and to spice it up, the riffs below are used to create movement within each chord (Riff 1), and to build from one chord to next (Riff 2 & 3). I found that the subtle changes in the chords guided my voice to the melody the first few times I sang it. The E/G6 adds a middle E (second-fret 4th-string) to the G, while the C6 emphasizes the 2nd-fret 3rd-string A note, and the Cmaj7 adds a high B on the open-2nd string.
The Em-D-G-E/G6 breakdown at the end is a vi-V-I-iv, as E/G6 is like a fancy way of saying “inverted C major chord”. Or maybe that is more fancy, I don’t know.
One of my best art teachers over the years told me once that she does one self portrait a year, and it’s a good way of staying in touch with where you’ve been/you are/you’re going. Wanting to explore Live Paint and the Blob Brush in Illustrator today yielded my first self-portrait in going on 5 years now… very interesting. Want to start another one now!
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